Tuesday, 19 January 2016

How To Select The Best Quality Music For Relationships

Natalie Roth is a well established artist who has a vast amount of experience and knowledge in the fields of music, film, television, singing, songwriting and production. Over the years, Natalie Roth has produced an impressive number of hits in all different types of genres. She is dedicated to her creative endeavors and giving her best performance, whether it be well rehearsed or improvised. Her wisdom about the industry and her commitment have led to massive success in her career. Natalie Roth is deeply rooted in the pop-country genre, although other genres have benefitted from her soulful performances and peaceful melodies. She is the top in her field with not only songwriting, but also producing videos for all different occasions and relationships. Her music deals with some very powerful issues, which leads to a stronger relationship with her fans who appreciate her ability to put herself out there emotionally.

One of her most popular songs, Daddy (Aba) is an beautiful production about a Daddy and daughter. It is a very powerful song that discusses the special relationship between a father and daughter. Natalie delivers an excellent performance in her music video for Daddy (Aba), which is a deeply emotional video about how attached a daughter can be to her father. 

Natalie Roth has also written amazing music that deals with the issue of divorced parents. Through her amazing music, she expresses what it's like to a daughter during a divorce and how it affects the whole family. She discusses what it is like to be a child and to feel that the family is being torn apart. A heartfelt song about a broken household produced by Natalie Roth is a unique piece of art.

Visit her website, www.natalieroth.net to browse through galleries, videos and audio from the one and only Natalie Roth.

Wednesday, 6 January 2016

Ok, So How Do You Define “World Pop” Music?

The expression “world pop” is probably the laziest description of a whole class of music which you could ever wish to see. World pop includes a combination of international music, hybrid musical styles, and are a lot of real individual singer/songwriters working in different genres.

As a matter of fact, this is actually a very interesting and extremely diverse range of music which is being almost slandered by such a simplistic expression. However – The irony is that actual “world pop”, a sort of crossover style pioneered by the original “world music” artists, is now happening. Whether it’s J-pop, Chinese pop, Indian pop, African, jazz, soundtrack-classical, nightcore, dub step, or one of those interestingly desperate attempts of American artists to play actual music instead of formula garbage, world pop is now an international style.

It’s probably just as well. There is no doubt whatsoever that old-style pop is well past its expiry date. When you bear in mind that rap music is now nearly 40 years old, something had to change.

The result, interestingly, has been a surge in new artists with new songs and new ideas. World pop is justifying its existence by throwing up a virtual mountain range of highly diversified musical talents and an audience with very broad bandwidth tastes. A case in point is a Los Angeles music artist/singer-songwriter called Natalie Roth. Roth’s music is a real mix of hybrid styles, like Israeli music, Emo, and even some country-flavored styles.

Roth’s music, in fact, is a pretty good map of the very high octane hybrid styles which are now penetrating even the mainstream market. Her single Daddy, a song about divorce, stands next to a song called Israel, a song about world peace. The musical style varies considerably from song to song, and it’s fair to say that Roth has never gone anywhere near the cookie cutter mode of many old-style artists.

To check out her work for yourself, visit her website here at www.natalieroth.net and take a little time to browse her bio. Looks like the new generation of musicians can stand on their own two feet, doesn’t it?

Monday, 4 January 2016

How Generation Y Is Finding Its Own Music

One of the least understood issues in music is based on the simple fact that generational musical tastes differ so much. The music industry in its infinite wisdom is producing a lot of music like rap, Techno and hip-hop, which are really the music of Generation X. 30 years ago, it was brand-new. Now, it’s just old, stale, and tired.
Generation Y has dealt with this problem by finding its own music online and elsewhere. Modern music fans listen to practically everything. Many are game soundtrack fans, for example, listening to a very eclectic mix of classical, folk, and just plain innovative new music. Others listen to singer/songwriters like Adele, virtual mountains of pure talent.
The bottom line here is that Generation Y has moved off the map in terms of standard industry demography. It’s a matter of opinion whether or not the industry will ever be able to find this audience again, but the smart money is saying that it won’t.
An interesting example of the “We’re doing something else now” musical motif is a lady called Natalie Roth. Roth doesn’t even fit a particular musical category. Some people call her music “World Pop”, mainly because of her Israeli musical roots. Others call her an “upcoming Los Angeles music artist”, overlooking the fact that she is actually a multimedia artist.
Roth’s major, and quite legitimate, claim to fame is that she is a singer/songwriter. Her nearest musical relatives are Emo music, classic pop, and add a touch of unique songwriter to that mix. She doesn’t deal with the easy subjects, and she obviously doesn’t do much in the way of “cute” songs if she doesn’t feel like it.
Her song Daddy, for example, is about the effect on kids of divorce. Not exactly a singalong, and a surprisingly penetrant look at a very tough subject. Another song of hers is called Israel, which is a song for peace written in the middle of one of the more terrifying interludes in that region.
If you’re getting the impression that Generation Y is getting solve out of the hole that formula music has created, you’re quite right. For more information and to see some of Roth’s work for yourself, visit her website here at http://natalieroth.net/.

Sunday, 27 December 2015

What’s The Difference Between A Real Artist And A Music Industry Cookie Cutter Product?

In these days of instant hip-hop groups, Easy Bake techno music, and instantly forgettable people with hairstyles in music videos, music fans are having a hard time listening to actual music. It’s one of the strange facts of the music industry that it’s the real individuals that drive modern music.
You could be forgiven for thinking otherwise. The endless surge of cookie cutter music products, whether they’re boy bands or cutesy-cutesy two word “female artists” is virtually unavoidable in the media. Ironically, it’s the people who actually sell, whose fans can’t get enough of their music, who actually deliver for the industry. Adele’s recent album is a case in point, and there are many other examples of real music beating packaged trash.
Having said which – It’s not easy being a real artist. Working with your own material, trying to establish an artistic presence, and simply getting things done are a lot tougher if you’re not a cookie cutter product. It’s like the industry really doesn’t know what to do with actual talent.
That hasn’t stopped some people. Younger artists are doing it the hard way, but they are having an impact. The current generation of musical individualists isn’t making many compromises in the process, either, much to their credit. With a bit of support from friends and a lot of obvious determination, they’re making their own way.
A case in point is a new Los Angeles music artist called Natalie Roth. Roth is actually a multimedia artist, as well is a musician/songwriter. She started in movies as a kid, and branched out into music. She is, in fact, a bona fide multimedia artist. She also started by doing some really difficult subjects for her songs, notably Daddy, a song about the effects of divorce on kids and Israel, a song for peace. Not exactly your average bit of pop dreck.
The question is whether or not the music industry actually recognizes relevance when it sees it. One good song will beat any number of sloppy, repetitive bits of musical LEGO any day of the week. With any luck, Roth and her generational get the industry out of its coma. For more information and to see her stuff for yourself, visit her website here at http://natalieroth.net/ .

Wednesday, 25 November 2015

How Do You Do A Song About Divorce? Ask Natalie Roth

Divorce is the nuclear war in relationships. It affects everyone. The fallout is grim, and long lasting. That said – Try writing a song about it. Some of the most beautiful, and some of the most truly gut-wrenching, songs in modern music come from this very hard subject.
Case in point – Natalie Roth’s Daddy. This is a truly epic, Emo, you name it, excursion in to a whole environment. Natalie Roth is a multimedia artist with some major credentials as an actor and a definite talent for visual as well as musical presentation. She worked with Israeli legend Avi Toledano on this song, and the result is truly fabulous, if confronting in so many ways.
It’s no minor achievement for an Indie music artist to hit this level of professional quality, but Roth, with her background, sails through it perfectly. Not a cliché in sight, just a great song with a very well-produced, well thought out video which will hit most viewers right between the eyes.
This is a story-telling song, trying to get through the message from her father about how it all came to be, and reinforcing the strong bonds in the father/ daughter relationship. As a study in songwriting, this is on a whole different plane to the old-style approach. It’s very emotional, it is actually quite draining to watch, in some ways, and it is extraordinarily effective as an individual piece of music.
It’s not often that modern music really tries to manage or even refer to these real life asteroid strikes. It may be that modern song writers, confronted with a particularly vacuous culture, don’t feel that they can actually write about things like this. More’s the pity, because it means a lot of good musical expression and songwriting doesn’t get a chance to be heard.
If you’re looking for a virtual How To manual of songwriting at a very high level on a very tough subject, visit her website here at http://natalieroth.net/. In particular, pay close attention to the character betrayal and the musical motifs. Expect to be stunned.

Finding The Mix – When Does Pop Become Art In Modern Music?

With all the sage verbiage about modern music, it’s interesting to note that really new ideas always seem to come as a surprise to the pundits. With Emo music, for example, it took years to find a definition, and by the time they did, the definition was basically irrelevant.
One of the most noticeable things in modern music is that the entry of performance art and storytelling has made a huge difference. All those anime video clips may have desensitized the critics, or maybe they just didn’t get it in the first place.
Contemporary music artists are lumbered with an industry which seems to have a very hard time keeping up with all the new stuff coming on the market every second. In the case of Emo music, it was passed off as mere teenage angst for years, during which people missed out on some very good, if nerve-racking, songs.
The good news is that some modern artists aren’t waiting for the seal of approval from whatever ivory tower it comes from. Natalie Roth, a Los Angeles music artist, is a case in point. Roth isn’t a vacuous formula pop singeror some sort of progressive music ideologue. She’s a songwriter with a track record in acting, and a definite knack for telling stories in her videos.
The result is a type of performance art, using two art forms to deliver a third form. Her song Daddy, for example, is Emo music to the nth degree, just much better done. This is a portrayal of a situation in a particularly effective way, leading the performance tell the story with the song.
If opera is an art form, so is this. It’s simply being done in a different way. This actually is a type of performance art, too, without the elaborate hype. With straightforward, it’s effective, he gets the message across, and yes, it is art.
The question is whether or not the hopelessly out of touch entertainment industry will figure it out. Meanwhile, make up your own mind. Visit her website here at http://natalieroth.net/.

Natalie Roth- The New “Species” Of Mixed Media Artist?

Natalie Roth is an interesting study in mixed media art. She’s been an actor since the age of 3, and is an accomplished recording artist. The interest stems from how she uses her talents in multiple media forms.
There’s a strong argument among media experts about the emergence of new multi-format artists, and the simple fact is that artists of this type have a distinct advantage over more conventional single format artists. She has certainly made a point with some of her material, notably the single Daddy, a tough visual story about divorced parents told in a surprisingly effective, well produced video. This is “multi-format” in the literal sense of the expression – The creativity is applied at all levels of production.
The borderline between conventional media and entertainment is blurring rapidly. Watching Roth, you’d have to say that the artists with talents in multiple wheels are definitely winning the battle. This is a very big issue in music the moment, and the broader entertainment market.
It’s inevitable that entertainment media will change drastically in coming years, but the new multimedia artists are going right off the map in terms of content and presentation. That’s a big deal for production, and it’s a particularly big deal for media distribution. How do you market a media product, if you don’t understand it? Many cynics feel that market doesn’t really have a clue, and will be led by the nose by the younger generation to the Next Big Thing.
Roth, to her credit, seems to be proceeding on her own merry way of doing her own thing, and it works very well. One look at her work indicates that if you have the talent, you can do practically anything. Rather amusingly, people don’t seem to have found a real description for her work. She is being called “world pop”, “pop country music”, and just about everything else.
If nothing else, this degree of vague comprehension tends to support the idea that the market doesn’t really have a clue. Historically, the best artists in history have been better defined by their work than by descriptions. The equation seems to be that Talent plus Versatility plus Passion equals good product.
For more information, and to make up your own mind, visit her website here at http://natalieroth.net/.